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“People do not know, and cannot face, the things that go on in this world, the secret nightmares that are suffered by millions every day... and the excruciating paradox, the nightmarish obscenity of being something that does not know what it is and yet believes that it does know, something that in fact is nothing but a tiny particle that forms the body of The Great Black Swine Which Wallows in a Great River of Blackness that to us looks like sunrises and skyscrapers, like all the knotted events of the past and the unraveling of these knots in the future, like birthdays and funerals, like satellites and cell phones and rockets launched into space, like nations and peoples, like the laws of nature and the laws of humanity, like families and friends, like everything, including these words that I write.”
Thomas Ligotti - “My Work Is Not Yet Done”

Guardian Review of SOADD and Grimscribe
Jun 30, 2016 - 10:19 AM - by Arthur Staaz

Excellent review.

"These may not be horror stories at all, but more like evil little mantras, leading you into dark, half-conscious speculations about the frailty of human identity and purpose."

Songs of a Dead Dreamer and Grimscribe by Thomas Ligotti review – evil little mantras | Books | The Guardian
4 Replies | 523 Views
Vastarien: A Literary Journal Is Open for Submissions
May 18, 2016 - 12:29 PM - by Arthur Staaz

Vastarien. The forbidden tome – an entryway into “…a place where everything was transfixed in the order of the unreal… Each passage he entered in the book both enchanted and appalled him with images and incidents so freakish and chaotic that his usual sense of these terms disintegrated along with everything else. Rampant oddity seemed to be the rule of the realm; imperfection became the source of the miraculous – wonders of deformity and marvels of miscreation. There was horror, undoubtedly. But it was a horror uncompromised by any feeling of lost joy or thwarted redemption; rather, it was a deliverance by damnation. And if Vastarien was a nightmare, it was a nightmare transformed in spirit by the utter absence of refuge: nightmare made normal.”

Editor-in-Chief Matt Cardin and Senior Editors Jon Padgett, Brian Poe and Kevin Moquin are pleased to announce that Vastarien: A Literary Journal is now open for submissions. Vastarien aspires to be a source of critical study and creative response to the corpus of Thomas Ligotti, as well as associated authors and creative work. We plan to do this through scholarly and critical works of nonfiction, literary horror fiction, poetry and artwork. Please visit our website for more information. And stay tuned for more news as we review submissions and head toward a launch date.
27 Replies | 3,509 Views
Thomas Ligotti’s Uncanny Horror and the Future of Holocaust Fiction
Feb 29, 2016 - 1:30 PM - by Dr. Locrian
Until a couple of years ago, Thomas Ligotti’s name was barely a sinister whisper amidst the larger horror community, only known by true genre connoisseurs. He was the top-shelf stuff, his writing reserved for readers with palates supposedly developed enough to digest his works of unease and dread. That all changed with the New Weird’s creep into public consciousness—Jeff VanderMeer’s best-selling Southern Reach Trilogy, along with critical and financial darlings like The Leftovers and American Horror Story and Nic Pizzolatto’s True Detective, whose premiere season draws the most directly (some would say a little too directly) from Ligotti’s essays and fiction. Ligotti’s own popularity has risen sufficiently that Penguin Classics has recently republished some of his most acclaimed works, Songs of a Dead Dreamer and Grimscribe.
Click here to read the rest of the article.
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