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“Dipping my hand into my pocket, I took out those few coins I needed to bring the Punchinello to life. In the following second came the presence of a light to gift me easy sight of that brightly-coloured cabinet of dubious entertainment. Upon the sand-covered floor before it, sat four rows of silently watching, wooden children. Yet when the Punchinello began his most violent routine, every cross-legged figure became quick to give up all pretence of innocence, clapping their tiny wooden hands together in a shocking display of macabre delight.

My intruding eyes then fixed upon the sinister figure of the Punchinello itself, and my ears filled with the corrupt laughter of children at every swipe of the wooden club held in its hand. The uniformed authority-figure it struck out at, gave vent to timely cries of inhuman pain, all being perfectly synchronised with the cruel contact of the wooden club. Yet I was to lose myself in the violence of the Punchinello's repeated action, so that I saw myself as a conductor of mechanised puppets, with the wooden club within my wooden hand being akin to a conductor's baton. For with every swipe I made there was a crescendo to their malign laughter, and in my head I knew they eternally mocked at all humanity by their response to this bizarre parody of our behaviour.

But still I became one with the puppet-soul of the Punchinello, revelling in its deathless quality and eternal cruelty, and sneering at the brief and pointless life of humanity. Then all I knew was the violent motion of that wooden club, so that for a few moments I became enveloped of my own swift-approaching deliverance.

Yet very abruptly the Punchinello froze in its movements; the cruel club poised forever to wound the representation of all mankind - the puppet holding extreme dominance over its own maker. Its carved head now peering upwards and into my own face, its expression was one of sneering triumph and elation, secure in the knowledge it had cast me eternally outwards of its own mechanical paradise.”
John B. Ford and Thomas Ligotti - “The Mechanical Museum”

Quote by Thomas Ligotti
Nov 28, 2017 - 1:19 PM - by Gnosticangel
This very short piece by Ligotti was posted today on Slawek Wielhorski's always-interesting Confusio Linguarum blog.

confusio linguarum: Why Germans Can Say Things No One Else Can (2) - Notebook of the Night
1 Reply | 408 Views
Ligotti panel at NecronomiCon Providence 2017
Jul 04, 2017 - 9:46 AM - by Sam
This sounds spectacular! A panel at NecronomiCon Providence 2017:

Saturday, August 19 – 4:30-5:45pm
TEATRO GROTTESCO: The Bleak Universe of Thomas Ligotti – Grand Ballroom, Biltmore 17th Floor
Thomas Ligotti embraces the themes and moods of Lovecraft, Schulz, Cioran and others, and emerged from the shadow of these literary heirs to become one of the most powerful voices in Weird fiction. In this panel we discuss the bleak and pessimistic universe his work evokes, as well as works crafted by writers who count him among their influences.
Panelists: Matthew Bartlett, Michael Calia, Michael Cisco, Kurt Fawver, Alex Houstoun (Moderator), Jon Padgett

Can't wait!
106 Replies | 14,728 Views
Ligotti Panel at StokerCon
Apr 22, 2017 - 3:30 PM - by Nicole Cushing
A week from today (Saturday, April 29) at 2:00 p.m., there will be a panel at StokerCon titled "Thomas Ligotti and the Nightmare of Living".

S.T. Joshi, Ted Grau, and I will be discussing Tom's work aboard the Queen Mary. (A former luxury liner permanently docked in Long Beach, CA.) The panel will be in the Regent Room. Would love to see some TLO folks there.
11 Replies | 5,332 Views
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