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#31 | |||||||||||
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Grimscribe
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Join Date: Jan 2005
Posts: 621
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Re: "The Old Knowledge" and Women of the Weird
That was my hope in starting this thread, but I fear we have failed to discuss many authors of note. Or, I suppose, it's possible there is a significant dearth, which in my opinion is far worse the crime.
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#32 |
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Grimscribe
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Re: "The Old Knowledge" and Women of the Weird
In that case, I apologise, and might someday start a thread on Kiernan.
Back to the lesser known women of the weird (and I might write something on few of those women sometime (hopefully) soon). |
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#33 | |||||||||||
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Grimscribe
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Join Date: Jan 2005
Posts: 621
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Re: "The Old Knowledge" and Women of the Weird
No, it's me who is sorry. Of course Kiernan may be mentioned here. I only meant I'd hoped to bring others to the forefront as well, others the members might not so readily know.
I look forward to reading your future thoughts, Mads. | |||||||||||
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#34 |
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Grimscribe
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Re: "The Old Knowledge" and Women of the Weird
In that case were all sorry. Lovely!
I doubt my thoughts will be that interesting, but I am glad someone are expectant; no doubt, you'll be disappointed as so many before you have been when looking forward to anything from me. One random thought: I sometimes tend (and like) to think of Emily Dickinson as a part-weird writer. I have no arguments whatsoever to back up my case. Anyone ever felt the same way? |
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#35 |
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Mystic
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Re: "The Old Knowledge" and Women of the Weird
Picked up Nina Allan's, 'A Thread of Truth' at Fantasycon and will be dipping into it soon.
www.birdsnest.me.uk |
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#36 | |||||||||||
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Grimscribe
![]() Join Date: May 2007
Posts: 1,298
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Re: "The Old Knowledge" and Women of the Weird
Some of Emily Dickinson's most memorable poems do have weird aspects to them. I especially like this one:
There's a certain slant of light, On winter afternoons, That oppresses, like the weight Of cathedral tunes. Heavenly hurt it gives us; We can find no scar, But internal difference Where the meanings are. None may teach it anything, 'T is the seal, despair, — An imperial affliction Sent us of the air. When it comes, the landscape listens, Shadows hold their breath; When it goes, 't is like the distance On the look of death. Many of her other poems don't seem weird to me at all, at least when I read them one at a time. But if I read a number of them together, they are cumulatively unsettling. There are passing dark fascinations in some of the lighter poems. In poems with seemingly upbeat endings, she focuses as much on the strangeness and cruelty of nature as on its beauty and charms. She was in many ways a religious poet, but even her poems that express faith and hope nearly always equate God with death. God is the Grim Reaper, Immortality is the grave. The famous poem that begins "Because I could not stop for Death,/He kindly stopped for me" is far from the only one that depicts things this way. At some point she became skeptical and may have lost her faith, though she did not cease to see things in a religious light. My life closed twice before its close; It yet remains to see If Immortality unveil A third event to me, So huge, so hopeless to conceive, As these that twice befell. Parting is all we know of heaven, And all we need of hell. Those last two lines are devastating. Of course, one could cherry pick other poems that are more conventionally religious. And she wrote poems that have nothing to do with the themes I've been discussing. Here is a good one for those of us who like old books: A precious, mouldering pleasure 't is To meet an antique book, In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old; What interested scholars most, What competitions ran When Plato was a certainty. And Sophocles a man; When Sappho was a living girl, And Beatrice wore The gown that Dante deified. Facts, centuries before, He traverses familiar, As one should come to town And tell you all your dreams were true; He lived where dreams were sown. His presence is enchantment, You beg him not to go; Old volumes shake their vellum heads And tantalize, just so. | |||||||||||
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| 10 Thanks From: | Andrea Bonazzi (10-23-2010), bendk (10-14-2010), Daisy (10-15-2010), Dr. Bantham (10-27-2013), Druidic (10-27-2013), G. S. Carnivals (09-30-2010), njhorror (11-01-2013), Speaking Mute (10-27-2013), Spotbowserfido2 (09-30-2010), yellowish haze (09-30-2010) |
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#37 | |||||||||||
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Acolyte
![]() Join Date: Jan 2010
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Re: "The Old Knowledge" and Women of the Weird
I received my copy of The Old Knowledge & Other Strange Tales a few days ago and very much enjoyed the collection. My thanks to The Swan River Press for bringing this book to print; I hope to see more stories from Rosalie Parker before long.
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#40 | |||||||||||
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Grimscribe
![]() Join Date: Dec 2005
Posts: 576
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Re: "The Old Knowledge" and Women of the Weird
I saw this post over at the Vault of Evil forums, and must say it pleased me. I've only read a few of Anna Taborska's stories, but they've definitely made a good impression; disturbing, creepy and cruel! And I'm especially delighted to see that Reggie Oliver has not only penned the introduction, but has provided illustrations as well!
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