‘Dreamcore’ and the indirect influence of Thomas Ligotti’s philosophy.

Recently, on platforms such as Instagram and TikTok, an aesthetic—or perhaps a cultural movement—known as Dreamcore has emerged. It centers on dreams viewed through liminal perspectives, unsettling imagery, and images that resemble memories whose origin we cannot quite recall. These short videos or clips are usually accompanied by ambient music characteristic of the movement, which by itself conveys a distinctly oneiric atmosphere. Beyond this, they often carry strong messages about the limitations of consciousness, adopting a deeply introspective focus on the human condition, the use of reason, and the ways in which dreams explore trauma and manifest it through images.

I am not sure whether any of you use Instagram—I do, though I do not have TikTok—but even so, I have come across several of these videos, or reels. What they convey resonates strongly with the philosophy of Thomas Ligotti, as well as with his recurring imaginary: puppets, the uncanny valley, madness—it feels strange, unsettling. Yet it is always framed through a dreamlike and introspective lens, approached in an existential manner.

As mentioned, this movement has a clear focus: the exploration of the personal psyche at a oneiric level. It almost never adopts a positive outlook; pessimism predominates, and in some cases it makes striking statements that closely resemble what Thomas Ligotti referred to as “Negation” in The Conspiracy Against the Human Race. The use of AI-generated images and videos has also influenced the liminal imaginary of this movement, further intensifying its sense of unreality and psychological dislocation.

Had you heard of Dreamcore before?

Just as H. P. Lovecraft may have directly or indirectly influenced the thinking of past generations, I feel that, in a similarly indirect way, Thomas Ligotti’s philosophy has influenced contemporary generations. This influence also highlights the current zeitgeist, revealing much about the state of society today.
 
I used Instagram a lot before I decided to delete nearly all of my socials but I have also discovered Dreamcore about 3 or 4 years ago and I love this aesthetic. I wouldn't call it a "cultural movement" per say because it's still pretty niche, but it's definitely a fascinating setting for horror. Of course, like everything born on the internet, this setting is copypasted everywhere with projects of varying quality, but the core ideas and atmosphere are brilliant.

I agree with you that there are some similarities with the uncaniness of Ligotti's works and philosophy, but I feel like Dreamcore is generally a bit more "cheerful". I would call that "whimsical nihilism" in the sense that, in this setting, life is meaningless, potentially horrible, but it has become the norm, so why not try to make it fun? Make it as bright and colorful as possible? The imagery is generally extremely childlike, with much darker twists here and there, like shadows and eyes. I didn't see a lot of puppets though. You can't have it all!

This is the only setting where I find the use of AI interesting. Despite my conviction that this device is an environmental and social nightmare, generated images and videos does have a dreamlike quality. I'm thinking of the works of Solar W in particular. I didn't bother to look up the others "artists" and I don't think I will.

Weirdly enough, I think the dreamcore creator who could be the closest to Ligotti philosophically is Stanzi Potenza. She doesn't make a lot of dreamcore videos, but when she does, it hits really close to home. Like this one.
My personal favourite is Ashur Gharavi, who made excellent short horror clips involving murderous TV hosts, cursed toys and the daily life of a silent psychopathic giant flower and his boyfriend with too many eyes. Excellent stuff.
 
A post I made on Twitter:
A few days ago I mentioned the new perspectives young people are bringing to horror, with a liminal, oneiric approach and a strong emotional introspection about what it means to be human. I believe events like the Epstein case are deeply shaping what horror will become in the future. You can see it everywhere young people gather: they realize that the true horror lies within the human race, not in fictional monsters. There is an indirect influence of Thomas Ligotti in this, but a quick look at TikTok or Instagram is enough to notice these emerging approaches to horror.
 
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Recently, on platforms such as Instagram and TikTok, an aesthetic—or perhaps a cultural movement—known as Dreamcore has emerged. It centers on dreams viewed through liminal perspectives, unsettling imagery, and images that resemble memories whose origin we cannot quite recall. These short videos or clips are usually accompanied by ambient music characteristic of the movement, which by itself conveys a distinctly oneiric atmosphere. Beyond this, they often carry strong messages about the limitations of consciousness, adopting a deeply introspective focus on the human condition, the use of reason, and the ways in which dreams explore trauma and manifest it through images.

I am not sure whether any of you use Instagram—I do, though I do not have TikTok—but even so, I have come across several of these videos, or reels. What they convey resonates strongly with the philosophy of Thomas Ligotti, as well as with his recurring imaginary: puppets, the uncanny valley, madness—it feels strange, unsettling. Yet it is always framed through a dreamlike and introspective lens, approached in an existential manner.

As mentioned, this movement has a clear focus: the exploration of the personal psyche at a oneiric level. It almost never adopts a positive outlook; pessimism predominates, and in some cases it makes striking statements that closely resemble what Thomas Ligotti referred to as “Negation” in The Conspiracy Against the Human Race. The use of AI-generated images and videos has also influenced the liminal imaginary of this movement, further intensifying its sense of unreality and psychological dislocation.

Had you heard of Dreamcore before?

Just as H. P. Lovecraft may have directly or indirectly influenced the thinking of past generations, I feel that, in a similarly indirect way, Thomas Ligotti’s philosophy has influenced contemporary generations. This influence also highlights the current zeitgeist, revealing much about the state of society today.



Mijn fiets werd gisteren gestolen voor het station in Amsterdam en ik had echt geen geld voor een nieuwe e-bike. Ik moest opeens alles lopen in de regen. Uit pure verveling downloadde ik de carlospin app op mijn telefoon. Tot mijn grote verbazing won ik een enorm bedrag waarmee ik direct een gloednieuwe elektrische fiets kocht, waardoor mijn dagelijkse ritjes nu veel sneller gaan
This is a fantastic observation. I hadn't explicitly connected the 'Dreamcore' label to Ligotti before, but the parallel is undeniable. The whole aesthetic feels like a direct visual translation of The Conspiracy Against the Human Race—especially that overwhelming sense of 'Negation' and the uncanny realization that we might just be biological puppets navigating a meaningless architecture.

I've actually been spending a lot of time lately generating AI videos to build out dark, gritty lore content, and it's fascinating how easily the algorithms lean into this exact liminal territory. When you push the AI or give it ambiguous prompts, it naturally produces these distorted, vaguely familiar spaces and deformed figures that trigger pure existential dread. It’s almost as if the digital subconscious naturally defaults to a Ligottian nightmare.

You're spot on about this reflecting the current zeitgeist. The fact that millions are resonating with this bleak, disorienting imagery on platforms designed for quick entertainment says a lot about our collective psychological state right now. It's a very visceral, modern way of expressing deep alienation. Do you think the creators of these Dreamcore videos are consciously channeling these pessimistic philosophies, or is it just an organic reaction to the modern world?
 
This is a fantastic observation. I hadn't explicitly connected the 'Dreamcore' label to Ligotti before, but the parallel is undeniable. The whole aesthetic feels like a direct visual translation of The Conspiracy Against the Human Race—especially that overwhelming sense of 'Negation' and the uncanny realization that we might just be biological puppets navigating a meaningless architecture.

I've actually been spending a lot of time lately generating AI videos to build out dark, gritty lore content, and it's fascinating how easily the algorithms lean into this exact liminal territory. When you push the AI or give it ambiguous prompts, it naturally produces these distorted, vaguely familiar spaces and deformed figures that trigger pure existential dread. It’s almost as if the digital subconscious naturally defaults to a Ligottian nightmare.

You're spot on about this reflecting the current zeitgeist. The fact that millions are resonating with this bleak, disorienting imagery on platforms designed for quick entertainment says a lot about our collective psychological state right now. It's a very visceral, modern way of expressing deep alienation. Do you think the creators of these Dreamcore videos are consciously channeling these pessimistic philosophies, or is it just an organic reaction to the modern world?
I believe it is an organic reaction of the current generations to what life is like today.
 
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