This was fun; a few comments...
- The "overweight" dig is unnecessary.
- I've seen quite a bit of discussion about talking about works in progress. Some writers (Bradbury, was it?) believe you can talk about a book until you lose the fuel to actually write it; but I recently heard that (maybe) Roger Zelazny could describe a book in detail to his friends before he even written it. I think I'm in the former camp because talking about my future work can be a form of procrastination or even just talking the talk when I was younger.
- I have a fascination for how mid-list and even lesser known writers from the 70s-80s-90s present themselves and their work (often in print-on-demand), as they are semi-forgotten authors. SP Somtow has in the back of his recent reprints a biography of a few pages, a long list of accomplishments in both music and writing and I think it's justified to inform those who don't know. Pynchon can easier afford to be modest.
- Anna Tambour wrote an intro for Jayaprakash Satyamurthy, praising him yet rubbishing something from his author bio. I thought that was funny.
- A lot of people find Jack Sparrow completely tedious and I don't blame them.
- Goth cowboys are not that uncommon. That was exactly the concept for the band Fields Of The Nephilim.
- I do find creators who dress up quite interesting. It slightly puzzles me because I can't be bothered clothes shopping but I enjoy it when I see it often enough and it sometimes helps me buy their stuff when I see intriguing creator photos.
See this Bongwater photo that made me NEED TO HEAR THEM
https://iscale.iheart.com/v3/url/aHR0cDovL2ltYWdlLmloZWFydC5jb20vaW1hZ2VzL3JvdmkvMTA4MC8wMDAxLzM5OC9NSTAwMDEzOTg2NTMuanBn?surrogate=1cOXl179JY-syhxYSCX6Q1a_Mcu6UO8d-F4oJzpZf1hcUbJr4aIswNgBFE_7jx4DkxSJa8_rgBsVb-DywacWqwKI6opUJe5BW3CT82C68jf_VOx_aov-NLDDGFjOm-CVEr-umrjHT_ClUcG-ycIzZhjgaPfsy3lugOmhIGIDgJteSNUAlBzQ-4FMwKmKUNvir5ZMBHMiUD3FA17vDsRyssXL0ljE
- I say a life without illness would be just plain better, a life of plenty and luxury for all would simply set different standards for pain and unpleasantness.
I never complain when every song is an absolute stunner. I've never experienced a great work and then thought "this needs more dull and bad bits".
But the flawed story might be worth including and it does annoy me when stories are never collected but I would prefer people try to make everything amazing.
I see more and more extremely beautiful people than I have time for online and and the areas of excitement evolve and I find less and less people unpleasant to look at and more and more people beautiful that I didn't previously. It just keeps expanding. I'm not sure I have a totally coherent point here but I think beauty is endlessly complex and tends to be defined and understood poorly. We generally don't have enough language and understanding for it.
- Agree about getting the widest possible influences. I am a fan of trying to get some map of the whole of everything that might interest or benefit one as an artist. I would like it if young artists all got a disc or memory stick including maybe 5000 or 10,000 images with the broadest possible survey of visual art of every conceivable style.
And the good thing about those kind of art history books is that it really doesn't take that long to look at it and get a grasp of the possibilities.
A writer reading thousands of books takes thousands of times longer.
- I completely reject the feuds and enemies thing. They can be fun and fascinating to read about but they are mostly pointless and silly.
A true people person is a joy to behold and I think that however much or little we socialize, we should try to be able to talk to any type of person constructively. It's a valuable skill to cultivate.
I understand the fear of being constrained by others expectations and sensitivities but I think it's best to try to get on with people while being fearlessly yourself.
A lot of punk attitude simply springs from the fear or not being able to coexist with other people, giving up before you've tried.
I look at a lot of erotic art that fascinates me on a fetish level but not on an artistic level and for a very long time I wouldn't follow these artists on social media because I feared offending them with my honest appraisal of their techniques (should they ever ask me) and my stupid idea that I shouldn't look at any art that doesn't reach a certain level of aesthetic power.
This year I've tried to be fearless in my potential interactions with other artists. Trying to be both honest and considerate if I'm ever asked my opinion.
- Definitely agree about the set design. To me the setting is usually the most important character.